The Audubon Mural Project

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The Swallow-tailed Kite mural contains 12 other climate-threatened species. The church tower to the right of the mural is the location of John James Audubon's final resting place. Photo: Mike Fernandez/Audubon

Audubon Mural Project

The Audubon Mural Project

Where birds meet art . . . after dark.

The Audubon Mural Project is a collaboration between the National Audubon Society and the Gitler &_____ Gallery to create murals of climate-threatened birds throughout John James Audubon's old Manhattan neighborhood. 

Want to help? 

If you’re an artist or an upper-Manhattan landlord or business owner who would like to participate in this project, please contact Avi Gitler. Also, please contact Avi if you're interested in supporting the project in any other way—spray paint sponsors urgently sought!

Special thanks to all of our donors thus far! 

How It All Started

In October 2014, just weeks after the release of the Audubon Birds and Climate Change Report, an art-gallery owner and an artist approached us with an audacious and unconventional scheme for spreading the word about the plight of birds: Street art! Murals! Murals of climate-threatened birds! Avi Gitler had just opened his Gitler &_____ Gallery in the Hamilton Heights neighborhood of Harlem, on Broadway between 149th and 150th streets—a few short blocks south of the Hudson River estate where John James Audubon lived the final ten years of his life, and of the cemetery where his remains reside today. Inspired by this proximity to the heritage of America’s greatest bird artist, Gitler decided to commission a series of bird murals to cover the rolling steel security grates that descend over business facades at closing time. Then he met Tom Sanford, a painter who lives nearby—and who, due to a serendipitous accident of residential geography (his next-door neighbor is Audubon VP/Content Mark Jannot), was deeply aware of the Audubon Report and its implications, which he proceeded to explain to Gitler.

So, by the time they came to us, Gitler’s mural plan had morphed and expanded a bit—from maybe a dozen birds to 314, a depiction of every one of the species identified as climate-threatened or endangered in the Audubon Report. The public art would flow throughout the Hamilton Heights and Washington Heights neighborhoods of upper Manhattan—JJA territory—creating a tremendous outdoor gallery of birds, all tagged with the URL of the Audubon Mural Project. Intrigued passersby would investigate and end up here, with an opportunity to learn more about this existential threat to birds, and about how they can take action to help head it off.

And so, voila! Here we are! If you are one of those intrigued passersby investigating what the murals are all about, we invite you to click here to learn more about the Audubon Report. Alongside each mural photograph below you’ll also find a link that will take you to a page with maps and other info about the threat to that specific bird. 

The Audubon Mural Project is only just underway, but already the results have been visually stunning, as you’ll see in the gallery below—a gallery that will be continually augmented as new murals are painted. The project has already made the front page of The New York Times—read that coverage here.

Planning to go see the murals? 

You should! Here's a guide:


You can also download a static version of this map here


Brewer's Blackbird, by Klone

Brewer's Blackbird. Photo: Mike Fernandez/Audubon
Climate Threat: An abundant, yet shy species, the Brewer's Blackbird is present in the Western United States all year around, and migrates through the Eastern half to get to its northern breeding range. As per Audubon's climate model, the species may see its summer habitat shift even further north, and could lose up to 48 percent of that range in the process. Its wintering range seems to be more stable. But there are still questions as to how much of its Mexican wintering grounds will be affected.

Location3767 Broadway, New York, NY 10032
Painted: May 15, 2016

About the Artist: Klone was born in Harkov, Ukraine, and currently lives and works in Tel Aviv, Israel. Influenced by his childhood emigration from the Ukraine to Israel, Klone’s initial practice of tagging and graffiti were personal challenges to themes of diaspora. This urban tradition allowed him to take ownership of his surroundings and localize an often hostile and alienating environment, making his foreign settings more familiar.


Using characters, symbols, and regional iconography, Klone’s work borrows from existing linguistic traditions in hope of providing a bridge to communicate. This organic approach appeals in its attempt at universality without erasure, without requiring a blank slate mentality. Each installation and drawing attempts to create an environment that will connect with the observer's primal feeling, placing him or her as part of the setting and context of the work. Whether created inside the studio or in in the public sphere, his work speaks to the exploration of what combinations are available to us with and also outside of a given discourse of belonging.

The Artist on the Mural: “I’m curious about birds that are common to cities and how they’ve adopted to the existence of men; Brewer’s Blackbird is one of those. Besides that I always found interesting the bird kinds that have such a big difference between the male and the female, especially the fact that the male is the one that’s supposed to compete for the attention of the female with its colorful feathers—something that’s so opposite in western culture. 


“The mural I painted is made in a way that it has no beginning or end: The left edge is continued in the right edge and vice versa, like a frozen frame of a loop animation, with the male and the female found in a constant chase after each other.”



Osprey, by Soten

Photo: Mike Fernandez/Audubon
Climate Threat: This raptor is projected to lose 79 percent of current summer range by 2080, according to Audubon’s climate model. While it has expanded potential to live year-round in places like Florida, it’s uncertain whether this fish-eater will be able to find enough food in stable and expanded portions of its range, or how sea-level rise will affect its success in coastal areas.

Location: 3663 Broadway, New York, NY 10031
Painted: May 9, 2016

About the Artist: The name Soten is synonymous with a visual artist and graffiti writer from Copenhagen, Denmark. In the past 15 years he has grown from a young, local writer to an established international artist through his determination, hard work, skill, and dedication. His works are known for trademark letterforms, funky color combinations, and the use of classic illustration elements. Follow him on Instagram.

The Artist on the Mural: “I painted the Osprey because I thought [the Hog Island nest cam] was pretty cool.”


Roseate Spoonbill*, by Danielle Mastrion

Photo: Mike Fernandez/Audubon

(*This mural is no longer on display.)

Climate Threat: The 19th century plume trade almost wiped out these brilliantly colored birds. Today their future is once again cast into uncertainty as climate change reshapes the Roseate Spoonbill's summer and winter habitat. Learn more about how climate change could affect this species at

Location: 3750 Broadway, New York, NY 10032—on the corner of W 156 St. and Broadway 

Painted: December 11, 2015

About the Artist: Danielle Mastrion is a Brooklyn-born muralist and painter based in New York City. She's been a painter all her life and has spent the past three years working locally and internationally on murals & public art. Danielle often combines realism and street-feel in her art. Her work ranges from large-scale bright and bold portraits to gritty cityscapes and street scenes, often depicting the disappearing face of a city. She earned her BFA from Parsons School of Design. Follow her on Instagram.


The Artist on the Mural: “I chose the Roseate Spoonbill because of its incredible colors. I was originally going to paint a few separate gates for the Roseate but decided to do one big wraparound, dedicating an entire gate to the flight feathers in order to really express the Roseate's colors & incorporate the full breadth and space of the corner. The corner of 156th and Broadway is such a lively, active part of the neighborhood; it's a meeting place, a hang out, an office, and a news station all on one corner. I wanted to make sure the whole corner got love, hence the wraparound painting.” 

Black-billed Magpie, by Andre Trenier

Black-billed Magpie Photo: Mike Fernandez/Audubon
Climate Threat: Audubon’s climate model forecasts withdrawal from the current summer range, with only 14 percent remaining stable and an overall decrease in summer area. But it also depicts suitable climate space north and east of where the species occurs today, especially in winter. If those regions become warmer, as is widely predicted to happen, then Black-billed Magpies, resourceful and capable of dispersal, may well become established in new suitable area.

Location: 3640 Broadway, New York, NY 10031—New Happiness Chinese Restaurant
Painted: October 18, 2015

About the Artist: Andre Trenier is currently an Artist in Residence at the Andrew Freedman Home in the Bronx and participates in community service programming for local residents while continuing to push the envelope of artistic expression. Since 2013 Trenier has painted over a dozen murals in the Bronx and Washington Heights areas alone. Every month, he paints the gate of the chic Lower East Side ice cream shop “Mikey Likes It” to coincide with the release of the parlor’s popular Flavor of the Month. Follow Trenier on Instagram.

The Artist on the Mural: “I chose the Black-billed Magpie because of its distinctive colors, its high intelligence, and its obsession with shiny objects. They have often been used to symbolise people’s facination with false perception and materialism.”


Tricolored Heron, by Iena Cruz

Tricolored Heron by Federico Massa a.k.a. iena cruz. Photo: Mila Tenaglia

Climate Threat: Less than half of the coastal Tricolored Heron's summer range is projected to still be stable by 2080, according to Audubon’s Birds and Climate Change Report. Learn more about how climate change could affect this species at

Location: 432 West 163rd St., New York, NY 10032 — on 163rd between Amsterdam and Edgecombe Avenues. 

Painted: November 3, 2015

About the Artist: New York artist Federico Massa (known in the global street art world as Iena Cruz) is a university-trained fine artist from

Milan who has called Brooklyn his home for the past five years. Since his arrival, he has received the EB-1—the coveted U.S. Visa for Extraordinary Ability—and a number of gallery shows in New York City, Baltimore, and Miami, as well as commissions for wall murals in Mexico City, Ibiza, Manhattan, Barcelona, Milan, and Brooklyn. Since his teen years in 1990s Milan, Massa forged a solid reputation as a renegade street-art painter. At the Academy of Fine Arts of Brera in Milan he developed a unique signature layered style of spray paint stenciling mixed with finely calibrated brush work on a range of textured surfaces. This layering technique became the foundation for a series called “Homages” that was exhibited in his first solo show at the Graphite Gallery in Brooklyn. Large-scale commissions include the rear facade of the Williamsburg Cinemas, a 40’ X 100’ mural of comic book heroes in the Iena Cruz style; it was among the BuzzFeed top 10 best worldwide street art murals of 2013. See more at his website, or follow him on Instagram

The Artist on the Mural: Climate change and the animals and plant life affected by climate change has been the focus of my large-scale works for the past few years. In my current work I cast the climate-threatened Tricolored Heron in a melting glacier tableau inspired by 18th century British naturalist Mark Catesby, whose detailed plates set a standard for documenting nature. I created a vivid natural environment in layers of spray paint and stenciling that, while dream-like and fantastical, hide a sad message of extinction. I am proud to have been included in this project and to have the opportunity to create a mural with these important birds whose future in the current ecosystem is uncertain. It is projects like this that can help record the species for the future, and increase awareness that can hopefully hinder their extinction.”

Watch a video of this mural being painted:

Endangered Harlem, by Gaia

Clockwise from top left: Black-and-white Warbler, Scarlet Tanager, John James Audubon, depiction of Russell Lee's 1941 photo of Chicago, Magnolia Warbler, James Lancaster's hand, and Tree Swallow. Photo: Mike Fernandez/Audubon

Climate Threat: Passerines, more commonly known as songbirds, comprise the majority of the climate-threated species in Audubon's Birds and Climate Change Report. The Magnolia Warbler is expected to lose 91 percent of its summer range by 2080, according to Audubon's climate models. The Scarlet Tanager could see 26 percent decrease in its current summer range, and the Tree Swallow, 61 percent. And only 17 percent of the Black-and-white Warbler's summer range could remain stable.

Location: 1883, 1885, and 1887 Amsterdam, New York, NY, 10032—between W. 153rd and W. 154th streets.

Painted: Mural was completed October 29, 2015. 

About the Artist: Gaia grew up in New York City and is a recent graduate of the Maryland Institute College of Art in Baltimore. His studio work, installations, and gallery projects have been exhibited throughout the world—notably The Baltimore Museum of Art, Rice Gallery, and Palazzo Collicola Arti Visive. His street work has been documented and featured in several books on urban art, including, most recently, Beyond the Street: The 100 Leading Figures in Urban Art (Berlin, 2010). Gaia lives and works in Baltimore, but spends a majority of his time traveling and painting murals across the world. Gaia was just listed in the Forbes “30 Under 30” list in Art and Style. Follow Gaia on Instagram, or visit his website

The Artist on the Bird: “I’m grateful to be able to be a part of the Audubon Mural Project and to have had the opportunity to push this photoshop method of arranging history visually. In the composition are four endangered species of migratory birds: the Black-and-white Warbler, the Magnolia Warbler, the Scarlet Tanager, and the Tree Swallow. Above in the top right corner is a portrait of Audubon as a young man, to the bottom right of the composition is a photo by Russell Lee taken in the South Side of Chicago in 1941 during the swell of the second great migration. To the bottom left is the white hand of James Lancaster, who led the East India Company’s first fleet in 1600, resting on a globe. These three patterns of migration run parallel to one another. But the greatest irony of it all is raising ecological awareness whilst the people of Harlem are endangered of significant gentrification.” 


Fish Crow, by Hitnes

Fish Crow. Photo: Mike Fernandez/Audubon

Climate Threat: The Fish Crow is an opportunist that once only inhabitated the Atlantic and Gulf Coast plains, but now can be found further inland, all the way up to the Ohio River Valley. Climate change, however, could lead to a 26 percent decrease in its winter range by 2080. See more on the Fish Crow's shifting range at

Location: 3750 Broadway, New York, NY, 10032—Broadway between 155th and 156th streets.

Painted: October 21, 2015. 

About the Artist: Hitnes hails from Rome, and his work spans genres, including graffiti, illustration, and fine art. Since 2012 he has taught screen-printing courses at Rome’s European Institute of Design (IED), as well as workshops in muralism, including a masterclass in Adelaide, Australia. His work can be found in publications in Italy, France, Spain, Germany, Belgium, England, and Australia; in the past 10 years he has participated in group shows and art events across Europe, Australia, Mexico, and China. His work with the Audubon Mural Project capped a three-month odyssey called The Image Hunter, where he retraced John James Audubon’s steps around America and completed 15 murals across the country. See all of them here.

Crows in New York from magicmindcorporation on Vimeo.

The Artist on the Bird: I was hunting American Crows, but they aren’t a species in danger, even if they are really similar to their Fish Crow cousins. Fish Crows are just a little bit smaller and the only way to identify them is to hear their ‘cow cow cow’ instead of the ‘caw caw caw.’ I spotted the Fish Crow in Florida early this summer, and thought it would fit on a mural so close to John James Audubon’s grave.”

Watch one of the recent murals be painted, across the street from John James Audubon's final resting place:

Swallow-tailed Kite (and others), by Lunar New Year

Main bird: Swallow-tailed Kite. Top row, left to right: Scarlet Tanager, American Kestrel, Black-and-white Warbler, Tree Swallow, Northern Harrier. Middle row, left to right: Magnolia Warbler, Yellow-bellied Sapsucker, Golden Eagle, White-throated Sparrow. Bottom row: Ring-billed Gull, Common Raven, Baltimore Oriole. Photo: Mike Fernandez/Audubon

Climate Threat: The outline of the mural depicts the Swallow-tailed Kite, a bird that is projected to lose 70 percent of its summer habitat, according to the Audubon Birds and Climate Change Report. Depicted inside the kite is a composite of 12 other birds, each threatened by climate change: Scarlet Tanager, American Kestrel, Black-and-white Warbler, Tree Swallow, Northern Harrier, Magnolia Warbler, Yellow-bellied SapsuckerGolden Eagle, White-throated Sparrow, Ring-billed Gull, Common Raven, and Baltimore Oriole.  Learn more about the threats these species face at

Location: 575 W. 155th St., New York, NY 10032, just east of the northeast corner of 155th St. and Broadway. The mural is painted on the entire west side of The Stella, a pioneering low-income housing building owned and operated by Broadway Housing Communities, and it is across the street from John James Audubon’s grave site, which is in the Trinity Church Cemetery at 155th Street, between Broadway and Amsterdam.

Painted: September 25th - October 2, 2015. 

About the Artist: Lunar New Year is an artist, muralist, and interloper defined by borders and hybridity. His artwork and murals question politics, injustice, and cross-cultural identity by making visible the stories that are often left invisible and silenced. His iconography spans a wide combination of mythology, portraiture, and secular signifiers. LNY is also an educator, organizer, and public speaker for such projects as Young New Yorkers in Brooklyn, Yollocalli Arts Reach in Chicago, and City Without Walls in Newark.

He was raised within the duality of Ecuador and the USA, currently living and working in Newark, N.J., as well as worldwide. You can learn more on his website, or follow him on Instagram.

The Artist on the Mural: “It’s a depiction of urgency, showing 12 bird species under threat of extinction due to climate change. The composition plays homage to Audubon’s work by replicating his Swallow-Tailed Kite painting that encapsulates the flock of endangered birds.” 

Black-throated Blue Warbler, by minusbaby


Climate Threat:  None of the Black-throated Blue Warbler’s summer range is expected to remain stable by 2080, according to Audubon’s Birds and Climate Change Report. Learn more about the threats these species face at

Painted: October 11, 2015

Location: 3637 Broadway, New York, NY, 10031 — on Broadway between 149th and 150th. 

About the Artist: Richard Alexander Caraballo, a.k.a. minusbaby, was born in New York City in 1975 and raised in its Lower East Side and Spanish Harlem neighborhoods. He studied at and dropped out of the Cooper Union’s art school in the mid-1990s. In the years since, he has built a strong reputation as an influential and exhibiting pixel artist, internationally recognized lo-fi electronic musician, and medium-defying collaborator. He lives in the Bronx with his wife and their two cats, Mista Lou and Pilot Supreme.


The Artist on the Bird: “I chose a Black-throated Blue Warbler because they travel from the northeastern United States to the Caribbean once the weather gets a bit too cold; a parallel to my grandmother’s trips from NYC to her native Puerto Rico and back in the 1970s though the 1980s. The symbols—at once familiar, but essentially indecipherable—reference its calls and song. I have a thing for black, white and blue, too.”


Allen’s Hummingbird, by Socky

Climate Threat: By 2080, the Allen’s Hummingbird is expected to lose 90 percent of its current range, according to Audubon’s Birds and Climate Change Report. Learn more about the threats these species face at

Location: 101 Edgecombe Ave, New York, NY 10030 — on Edgecombe between 139th and 140th streets. 

Painted: May 30, 2015

About the Artist: Socky, born Joshua Goody Garcia, is a Sunset Park, Brooklyn, native. He is an artist inspired by dreams of American Folk Art, Jesus, and Elvis. His artistic dialog takes place through drawing, acrylic painting, and wood carving. Socky is influenced by the work of Howard Finster, Pablo Picasso, Tattoo Artist Little Joe, and many others. By trade Socky is a professional silk screen printer in Red Hook, Brooklyn. When he is not making art, he is submerged in the ultimate fishing story, Moby Dick, as well as Western films, Game Of Thrones, and the poetry of Bob Dylan. Ultimately, Socky strives for peace and prosperity. Follow him on Instagram


The Artist on the Bird: “The courtship flight of the male Allen’s Hummingbird is a frantic back-and-forth flight arc of about 25 ft (7.6 m) similar to the motion of a swinging pendulum, followed by a high-speed dive from about 100 ft (30 m).”


Purple Finches, by Max Kauffman

Photo: Mike Fernandez/National Audubon Society

Climate Threat: The Purple Finch is predicted to have to move north, away from its current habitat, thanks to climate change. By 2080, only 11 percent of its current summer range and 41 percent of its winter range is predicted to stay stable. (Learn more about how climate change threatens this bird.)

Mural Location: 130 Hamilton Place, New York, NY, 10031 — on Hamilton Place between 142nd and 143rd streets.

Painted: May 13, 2015

About the Artist: Max Kauffman is an artist currently residing in Oakland, California. He grew up “going between the woods of South Bend, Indiana, and the best city in the world, Chicago,” he writes. “This back and forth continues in my work with conscious, realized line work coupling with abstract mark making. That moment of potential, that feeling of the unknown, is the foundation of my work thanks to years of traveling—staying open to possibility while maintaining a plan, a dystopian harmony between what is and what could be.”


The Artist on the Bird: “I used to draw small finches years ago so it was fun to revisit. I’d never painted on a roll down—fun challenge! My work went more textural than normal, and it was a great night to paint and see Harlem.” 


Common Tern, by Laura Ramón Frontelo


Climate Threat: By 2080, the Common Tern’s summer range could shrink by up to 80 percent, the climate report predicts. (Learn more about how climate change threatens this bird.)

Mural Location: 3632 Broadway, New York, NY, 10031 — on Broadway between 149th and 150th.

Painted: May 6, 2015

About the Artist: Laura Ramón Frontelo is a Spanish artist whose works are exhibited in both private and corporate collections. A graduate of the Central Saint Martins School of Arts in London, she has exhibited internationally in renowned galleries such as the Royal Academy of Arts (London), the Horta Gallery (Brussels), Herbert Read Gallery (Canterbury), the Horsebridge Gallery (Whitstable), Granary Building (London), Candids Arts Gallery (London), and Bermondsey Gallery (London) among others. For more information, check out her website.

The Artist on the Mural: “I like adding color to things. So I just took the black tern and gave it my colorful touch.”


House Finch, by Mr. Mustart

Photo: Mike Fernandez/National Audubon Society

Climate Threat: The House Finch’s summer range could shrink by as much as 69 percent by 2080, according to the climate report. (Learn more about how climate change threatens this bird.)

Mural Location: 5 Edward M. Morgan Place, New York, NY, 10032 — off Riverside Drive between 157th and 158th

Painted: May 11, 2015

About the Artist: Mr. Mustart, originally from Russia, has been working out of northern New Jersey for the past 15 years. He graduated from New Jersey City University with a BFA in painting and drawing. Mustart has been gracing the walls of the New York tri-state area with murals, in addition to showing in group and solo shows. Though he works primarily in an urban environment, Mustart never fails to notice the natural world around him and incorporates that into his work. Follow him on Instagram.

The Artist on the Bird: “The bird I picked was mainly chosen for aesthetic reasons—I like the way the House Finch looks. However, in painting the mural, I was educated by the members of the Society about the troubled future this bird is facing. It’s a beautiful bird, and I wish I could help it. For now, raising awareness is the least I can do.”


Black-chinned Hummingbird, by Ashli Sisk

Climate Threat: The Black-chinned Hummingbird is thought to already be moving north and east in response to climate change. Only 27 percent of the bird’s current summer range is expected to stay stable by 2080, the climate report predicts. (Learn more about how climate change threatens this bird.)

Mural Location: 601 W. 149th Street, New York, NY — 149th Street between Broadway and Riverside Drive

Painted: May 16, 2015

About the Artist: Ashli is a recent transplant to New York City from San Francisco. Her background is in anthropology and metaphysics, and veterinary medicine. She has exhibited in San Francisco, New Jersey, New York, Brooklyn, and London. Recently, she has been working on The Odd Toe and Horn Project, which is largely concerned with Sumatran Rhinos and the rainforests in which they live. She received her bachelor’s degree from the San Francisco Art Institute, where she earned The Partnership Scholarship, The Ivan Majdrakoff grant, and the Gamblin Paint Prize. In 2013 she completed a six-month residency at Brooklyn Art Space. Follow Ashli on Tumblr, Facebook, or her website

The Artist on the Bird: “The Black-chinned Hummingbird lives on the edge, flower to flower, at a breakneck speed much like the people of New York. They also perform the important role of pollinator, and I wanted to call attention to that role, and how the diversity of blooming plants hinges on birds, bees, butterflies, and bats.”


American Redstart, by James Alicea 

Photo: Mike Fernandez/National Audubon Society

Climate Threat: The climate report predicts that just 11 percent of the American Redstart’s summer range will remain the same by 2080. The highly migratory bird may be able to adapt, but only if the plants and insects they rely on move north, too. (Learn more about how climate change threatens this bird.)

Mural Location: 3612 Broadway, New York, NY, 10031 — on Broadway between 148th and 149th streets.

Painted: March 28, 2014

About the Artist: James Alicea is a born and bred New York City graphic designer and artist. Alicea, who also paints under the name BlusterOne, is a graduate of the acclaimed High School of Art & Design (NYC graffiti Mecca) and received a BFA from the Columbus College of Art & Design in Columbus, Ohio. He has co-founded the successful graffiti-inspired clothing brand PNB Nation and the Japanese clothing brand AndSuns, and is a long-time member of the art collective The Barnstormers. In 2011 he co-founded the private art studio and community art hub 596ArtistUnion.

The Artist on the Bird: “I chose this bird initially because of its high contrast flat graphic color blocks, but as I looked further I discovered this bird is a superb migratory bird, almost nomadic and goes where the food is. I relate to this bird because, like it, I am always on the move.”


Brown Pelicans, by Jason Covert 

Photo: Mike Fernandez/National Audubon Society

Climate Threat: Much of the bird’s winter range is projected to move north by 2080, away from the coastline on which the bird relies. The Brown Pelican’s winter range may shrink by as much as 54 percent by then. (Learn more about how climate change threatens this bird.)

Mural Location: 601 W 149th Street, New York, NY, 10031 — on 149th between Broadway and Riverside.

Installed: March 16, 2015

About the Artist: Brooklyn-based artist Jason Covert was born in 1974 between a harbor and a marsh on Cape Cod. Having lived in Boston, San Francisco, Tasmania, and Portugal, Jason landed in New York City in the year 2000. Striving to become a recognized artist, Covert found himself sleeping in doorways, his car, and on the couches of friends and acquaintances. After years of considerable struggle, Covert has come to enjoy a sizable clientele of collectors that literally span the globe. For more, please visit:, or follow the artist on Instagram @jhcovert.


The Artist on the Bird: “One has but to watch the Brown Pelican (or its species mates) perform its graceful feeding dives to understand how poetic an animal it truly is. As a Cape Codder, I have spent countless hours sitting by the sea, and as such, have long been a fan. It was an honor to work with this bird’s image.”


Black Vultures, by Marthalicia Matarrita

Photo: Mike Fernandez/National Audubon Society

Climate Threat: Audubon’s climate model projects that only 41 percent of the Black Vulture’s current breeding range will remain stable by 2080. Cold winter temperatures may prevent the bird from heading north. (Learn more about how climate change threatens this bird.)

Mural Location: 3627 Broadway, New York, NY, 10031 — on Broadway between 149th and 150th streets.

Painted: November 22, 2014

About the Artist: Born and raised in Harlem, Marthalicia Matarrita studied Fine Art at the State University of New York at New Paltz. Matarrita is well known in the New York City street art scene, painting murals around the city and participating in many live art performances. For more, follow the artist on Instagram @marthalicia.

The Artist on the Bird: “I found that this particular bird gets many negative reactions from people. Not many people understand that its natural survival methods are not predatory—they’re scavengers. They are ones that have the leftovers. Every animal has a role to play and the vulture plays an intricate role in the cycle of life. Helps me sympathize to other beings that struggle daily to live.”


Wild Turkey, by N. Soala

Photo: Camilla Cerea/National Audubon Society

Climate Threat: This bird is already moving northward—and thanks to climate change, it may have to move faster. The Wild Turkey may lose 87 percent of its current winter range by 2080. (Learn more about how climate change threatens this bird.)

Mural Location: 3629 Broadway, New York, NY, 10031 — on Broadway between 149th and 150th streets.

Painted: November 25, 2014

About the Artist: N. Soala cut his teeth in the capital of weird, Tucson, Arizona, and strengthened and solidified in the capital of capitals, New York, New York. N. Soala seeks to create an orderly visual diagnosis of chaotic city life. Follow him @theblorstoftimes.

The Artist on the Mural: “The mural is based on a short story by Roald Dahl called ‘The Magic Finger,’ which stresses our effect on the planet, and that we need to be more empathetic. How would we feel if we were on the other side of the food chain?”

Check out another one of N. Soala’s NYC bird murals:

This rooster, on Farmhouse Restaurant at 81 Ludlow Street, is part of the Lower East Side's 100 GATES Project. Photo: N. Soala


Photo: Camilla Cerea/National Audubon Society

Common Loon, by Kristian Glynn

Climate Threat: Audubon’s climate model predicts that by the turn of the century, the Common Loon could summer north of Minnesota, thanks to a shifting range. (Learn more about how climate change threatens this bird.)

Mural Location: 601 West 149th Street, New York, NY, 10031 — on 149th Street between Broadway and Riverside Drive.

Installed: November 9, 2014

About the Artist: Australian artist Kristian Glynn has become adept at making work with readily available materials. He paints, draws, sculpts, and integrates text, continuing to push the boundaries of expressing his own emotional vulnerabilities. Glynn has had seven solo and numerous group shows, and has been employed as both an art teacher and an art therapist. He is currently living in Melbourne, Australia, after many years spent in the UK and Japan. For more, please visit:, or follow the artist @kristianglynn.

The Artist on the Bird: “I had been looking for a flightless bird, but the Common Loon was a perfect fit for me, as I often incorporate text into my work, and I just loved the somewhat oxymoronic name.” 

Mallard, by Graham Preston

Climate Threat: By 2080, the Mallard could lose up to 75 percent of its current summer range. (Learn more about how climate change threatens this bird.)

Mural Location: 601 West 149th Street, New York, NY 10031 — on 149th Street between Broadway and Riverside Drive. 

Installed: October 28, 2014

About the Artist: Graham Preston was formerly a master surfboard shaper and avid East Coast surfer who abandoned his craft and became a full-time artist. He studied under Tom Sanford and Julie Heffernan at Montclair State University, where he received his BFA, and is a proud grad-school dropout of the Brooklyn College MFA program. For more, please visit:

The Artist on the Bird: “Being born on the Delaware River, Mallards were like my wild pets—I used to dangle my feet off the edge of my grandfather’s dock and throw feed to the ducks. When I discovered that these plentiful and gorgeous animals were in real danger of losing important segments of their habitat, I was shocked. When they see it, I hope folks say ‘Even the Mallard?! Really?!’”

Cerulean Warbler, by Tom Sanford

Climate Threat: Perched on John James Audubon's shoulder is a Cerulean Warbler, a small bird that is projected to lose 98 percent of its current breeding range by 2080. (Learn more about how climate change threatens this bird.)

Mural Location: 601 West 149th Street, New York, NY 10031 — on 149th Street between Broadway and Riverside Drive. 

Installed: October 28, 2014

About the Artist: Tom Sanford is a Harlem-based artist whose work is exhibited extensively in museums and galleries around the world. Sanford was born in Bronxville, New York, in 1975. He received a BA from Columbia University and a MFA from Hunter College. He is currently preparing for an exhibition at Galleri S.E in Bergen, Norway, while trying to raise his two children with his wife, Alexsandra Lloyd. For more, please visit or, or follow him @uberkunst.


Rusty Blackbird, by Taylor McKimens

Photo: Mike Fernandez, National Audubon Society

Climate Threat: The Rusty Blackbird needs bogs to survive, but climate change may push the bird northward, away from its preferred conditions. (Learn more about how climate change threatens this bird.)

Mural Location: 3621 Broadway, New York, NY 10031 — on Broadway between 149th and 150th streets. 

Painted: November 2, 2014

About the Artist: Taylor McKimens was born in 1976 in Winterhaven, California, and lives and works in New York. He studied at Art Center College of Design in Pasadena, California. McKimens has exhibited extensively, notably at Deitch Projects, New York; Macro Museum, Rome; The Watari Museum of Art, Tokyo; The Hole, New York. For more, please visit:, or follow him @taylormckimens.


Watch a time-lapse of the next two murals being painted:

Audubon Murals from on Vimeo.


Bald Eagle, by Peter Daverington

Photo: Camilla Cerea/National Audubon Society

Climate Threat: The national symbol of the United States is projected to lose 73 percent of its current breeding range by 2080. (Learn more about how climate change threatens this bird.) 

Mural Location: 3623 Broadway, New York, NY 10031 — on Broadway between 149th and 150th streets. 

Painted: October 19, 2014

About the Artist: Peter Daverington is a painter and musician from Melbourne, Australia, currently living and working in Beacon, New York. He completed an MFA at the Victorian College of the Arts, University of Melbourne, and has held 13 solo exhibitions since 2004. Daverington has been commissioned to paint public murals in Argentina, Australia, China, Egypt, Germany, Guatemala, and Turkey. For more, please visit

The Artist on the Bird: “I chose the Bald Eagle because they have such powerful, wise, and enigmatic heads. It’s also the symbol for America—my new adopted home—and represents freedom, strength, truth, and justice. When the Bald Eagle became the national symbol in 1782, there were 100,000 breeding pairs in the United States. That dipped to just 417 in 1963, thanks to hunting, deforestation, and DDT. Today, thanks to conservation efforts, there are 7,066 breeding pairs. Thankfully, this great bird lives on.”


Tundra Swan, by Boy Kong

Photo: Mike Fernandez/National Audubon Society
Boy Kong's original mural (left) was recreated to be more swan-like (middle), and became the first official Audubon mural painted in West Harlem. A third rendition (right) had to be painted after the size of the gate changed. The newest version on the streets is a result of tagging by graffiti artists. Photo: Camilla Cerea and Mike Fernandez/National Audubon Society

Climate Threat: The Tundra Swan is expected to lose 61 percent of its current winter range by 2080, thanks to climate change. (Learn more about how climate change threatens this bird.


Mural Location: 3631 Broadway, New York, NY 10031 — on Broadway between 149th and 150th streets. 'Painted: October 19, 2014

About the Artist: Making art described as “eye candy” by one critic, Boy Kong (b. 1993, Orlando, Florida) is one of the rising stars of the growing art scene in Florida. A self-taught artist, Boy is often inspired by Asian folklore and traditions, and his works are fused with a surrealistic sensibility. Some of his recent work includes a solo show at Gitler &_____ (New York), and murals created for Rag & Bone, and Secret Walls/The L.I.S.A. Project. For more, please visit or follow him @boykong.


The Artist on the Bird: “Swans don’t seem like they have enough attitude, and I wanted to give the bird some flare and color!”


Photo: Camilla Cerea and Mike Fernandez/National Audubon Society


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